Decor de tip „M” în sud-estul Europei și în împrejurimi din mileniile VII-V î.e.n

Nadezhda Kotova; Simon Radchenko

doi:10.52603/RA.XXI.1.2025_01

Autori

Nadezhda Kotova https://orcid.org/0000-0002-8197-7782
Simon Radchenko University of Stavanger https://orcid.org/0000-0003-2970-5373

DOI:

https://doi.org/10.52603/RA.XXI.1.2025_01

Cuvinte cheie:

Mesolitic, neolitic, ornamentație, ceramică, idoli, analiza rețelelor sociale, regiunea Balcano-Carpatică

Rezumat

Acest articol examinează utilizarea semnului „M” în decorarea sculpturilor antropomorfe și zoomorfe, precum și a ceramicii și amuletelor, pe baza materialelor din sud-estul Europei atribuite mileniului VII-V î.e.n. Scopul său este de a prezenta și analiza modul în care a fost aplicat acest semn. Modelele de utilizare a simbolului, precum și evoluția acestor modele, au fost studiate prin analiza rețelelor sociale, nuanțând modul în care caracteristicile sale s-au schimbat în spațiu și timp. Aceste schimbări au fost interpretate folosind abordări semiotice Peircean. Acest lucru a făcut posibilă urmărirea modului în care, în timp, semnul și-a dobândit semnificațiile simbolice și convenționale. Semnul „M” a fost răspândit în ornamentarea ceramicii timpurii din Anatolia și Orientul Apropiat, dar poate fi găsit și pe artefacte din piatră și os din regiunea de nord a Mării Negre, datând din mileniul VII-începutul mileniului VI î.e.n. Ulterior, a câștigat popularitate în regiunile balcanice și carpatice. Cercetătorii au încercat anterior să interpreteze simbolul „M” în contextul viziunii asupra lumii a primilor agricultori din regiune. Cu toate acestea, primele sale manifestări sunt asociate cu siturile de vânători-pescari-culegători din mezolitic, unde este legat de imagistica șerpilor și a apei. Prezența acestui semn este adesea legată de modele în zigzag și de dubla sa variație, constând în linii paralele.

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