Vol. 34 No. 2 (2025)

German Musical Presences from the European Baroque Period in Bessarabia: Johann Jacob Bac

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The songs of transition in the creation of Ion Aldea-Teodorovici from the confluence of the 1980s-1990s: problems of approach

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The funds of the V. I. Vernadskyi National Library of Ukraine of the National Academy of Sciences are the source base and impetus for important cultural and scientific events in the country and beyond

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Theatre for children and young audiences: realities and research perspectives

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The socio-cultural evolution of opera: from modernism to digital innovation

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Characteristics features of the dances performed in the Iğdır region of Turkey

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Directing in radio theatre: Olga Şveţ

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The war phenomenon in the animated film

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Roles, commitments and implications of the actors involved in public mediation communication through mass media and social networks

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From The Shakespearean Archetype To The Chekhovian Symbol: Anton Chekhov’s The Seagull As A Space For Directorial Experimentati

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Animation diaries as a genre of documentary animation

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Meanings of space-time in the theatrical discourse of Luminiţa Ţâcu

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Dialogue in the performing arts between theaters from the Republic of Moldova and Romania

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Ars longa vita brevis. In memoriam Eugen Doga

Balkan Cinema Beyond Stereotypes. Ghergana DONCEVA

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